Meet the guy who makes Nathan Lane look so dapper
At the Tony Awards this month, when Nathan Lane collected his third statuette, he gave an emotional shoutout to Andrew Garfield, his “Angels in America” co-star, to Devlin Elliott, his husband … and to Ken Brown, his dresser for the previous 26 years.
“He’s actually nice at it,” Lane tells The Publish. “He’s half therapist and pal. And, if one thing rips or a button comes off, he’s like a medic in the military — he can run out and restore your wounds!”
“Angels” is their 14th present collectively, a journey that started in 1992, at the smash revival of “Guys and Dolls.” Brown was assigned to decorate its star, Peter Gallagher, “and Nathan got here with the deal,” he says.
The 2 males clicked, and when Lane obtained his subsequent present, he requested Brown to affix him. They’ve labored collectively ever since.
“I believe I give him consistency,” says Brown, a tall, bespectacled 63-year-old whose wage is paid not by Lane, however no matter manufacturing he’s in. “Nathan is aware of that I’ll be there for him.”
‘Nathan is aware of that I’ll be there for him.’
And Brown has been, scheduling holidays and even surgical procedure round the star’s commitments, and, when Lane’s off making motion pictures, filling in on different reveals every time and wherever its wardrobe division wants him. However whereas he’s dressed others — Tyne Daly and Whoopi Goldberg amongst them — there’s nobody he’s labored with longer than Lane. They’ve a shared ardour for theater and what the actor calls “a really old school” must do issues nicely.
“We’re working towards the identical objective,” Brown says. “He’s attempting so arduous, and something I can do, I do.”
It helps that Brown has an eagle eye for particulars. (“You missed a loop in your watch strap,” he advised a reporter, and he was proper.) Years in the past, whereas awaiting a cue at “A Humorous Factor Occurred on the Method to the Discussion board,” Lane touched his pocket and flinched. Brown, realizing the actor had forgotten a prop, ran to the dressing room, retrieved it and gave it to a different actor to sneak to Lane onstage. The scene unfolded and not using a hitch.
At “The Producers,” Brown finessed a quickie costume change — ascot, smoking jacket and all — in 12 seconds flat. And when Lane landed with a thud throughout a bungee soar for “The Frogs,” Brown mentioned what everybody else was loath to confess: “I believe we must always get the understudy prepared.” They did, and Lane, rested and recovered, was capable of end the run.
After “Angels” ends, on July 15, Lane says he plans to “lie down for a month or two.”
And Brown? He’ll be at “Whats up, Dolly!” — doing the laundry.
“It’s important to do no matter’s obtainable or needed,” he says. “They supplied it to me, and I’m grateful. And fortunate. I’ve labored on so many nice reveals.”
Nathan Lane (proven with Walter Bobbie and J.Ok. Simmons) first teamed with dresser Ken Brown in 1992 for “Guys and Dolls.”
Martha Swope
Lane and Matthew Broderick in a scene from “The Producers.”
AP
Lane at present stars as Roy Cohn in the revival of “Angels in America.”
Brinkhoff-Moegenburg
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