Isabelle Huppert’s over the top ‘Greta’ is far from thrilling
In “Greta,” a younger girl finds a handbag on the subway. Not solely does Frances, the finder, search out its proprietor — the creepy girl of the title — however she personally delivers the purse to her dwelling and stays for tea. Why?
“The place I come from,” says Frances (Chloë Grace Moretz), “that’s what we do.” Um, she’s from Boston.
That the universally understood idea of “stranger hazard” hasn’t resonated with Frances is simply certainly one of many preposterous issues in director Neil Jordan’s laughable try at a psychological thriller.
However wait — there’s extra!
Though Frances is a waitress, she and her yoga- and colonic-loving roommate, Erica (Maika Monroe), stay in a sprawling Brooklyn loft with uncovered brick and gorgeous fixtures. In the meantime, jobless Frenchwoman Greta (Isabelle Huppert), owns a three-story freestanding home in Manhattan that appears like a seafarer’s trip cottage.
The premise is promising: After returning the purse, Frances spends an increasing number of time with Greta, who turns into a heat mom determine and confidant. However Frances quickly stumbles on a disturbing secret: Greta has a cupboard stuffed with an identical purses that she vegetation all over the metropolis to lure in gullible women.
Spooked, Frances makes her solely sound determination in the film: She’ll don’t have any extra contact, walks or pâté with Greta. However Madame continues to ring her always, and exhibits up at her office, condo, bars and trains. The cops simply shrug. Scary, no?
It will be if it weren’t for the rotten performing, dialogue and rating.
Huppert, who lately appeared in a supernatural episode of Matthew Weiner’s “The Romanoffs,” is going by a freaky part. Right here, she leans on her inherent mystique, and performs with the stilted formality of somebody studying off cue playing cards. She’s about as refined as horseradish, and there’s not a single second the place you consider Greta isn’t a crazed stalker.
Moretz, in the meantime, acts like Little Crimson Using Hood speaking to her conspicuously bushy grandma — impossibly naive, and due to this fact uninteresting and unbelievable. She’s a strong actress, however she shines greatest in indies or in components with actual edge. “Greta” is a camp-fest.
Her absurd experiences are underscored by music that feels like a xylophone being performed with a sledgehammer. Stuffed with “Jaws”-y shock moments, it’s much less prone to elicit shivers than giggles. So does a lot of the dialogue. “My associates say I’m like chewing gum,” Frances tells Greta. “I have a tendency to stay round.” Who’re her associates? Hallmark card writers?
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